Showing posts with label shock the monkey. Show all posts
Showing posts with label shock the monkey. Show all posts

Monday, 12 February 2018

Happy Birthday Mr. Gabriel!

A Different PoV
And, happy melodist, unwearied, 
         For ever piping songs for ever new; 
More happy love! more happy, happy love! 
         For ever warm and still to be enjoy'd, 
                For ever panting, and for ever young; 
 (John Keats, Ode on a Grecian urn)
It all happened over 30 years ago, at the end of the This Way Up Tour. The 12 months between November 1986 and October 1987, when Peter and the band travelled all over Europe and the USA, have already been quite well described on the special book issued on the occasion of the official So album re-release, together with the companion audio and video sets previously known as P.O.V. (you can read about it here).

There is nothing of great significance I could add to what better wordsmiths than I have already said and told. And I don’t feel any need to bore anybody to death with loads and loads of very personal memories: suffice it to say I have witnessed in person 50 of the European tour dates – all that took place bar 6, which I sadly missed being busy with my journalist exams in Milan –, sharing travels, accomodations, stories and experiences with a bunch of fabulous friends all across France, Italy, Germany, UK, Belgium, Sweden, Holland, Hungary, Austria, Switzerland, Spain and, finally, Greece.
But to stay with the title of the old VHS release, I wished to briefly add my very own – a fan’s – Point Of View about those last 5 nights, which are some of my most cherished memories, still incredibly alive and vivid in my mind. And in my heart.

First of all, as the website states, The Making Of P.O.V. did happen “over three nights”: to be precise, on Monday the 5th of October, Tuesday the 6th and Thursday the 8th. I saw the first from the front row, but then I decided to tape the remaining two shows and sat a few rows in front of the mixing desk to get perfect sound and views. Those recordings, including a few “Extras” J, make up the first 8 discs (all audio-only) of the whole package that the most avidly oriented fans and collectors can now find on the Genesis Movement Torrent Site .
But from my very own “fan P.O.V.”, the real essence of that week were the 2 special filming nights which happened on Wednesday the 7th and Friday the 9th. Nights like no others, that’s for sure (which on the Movement site are also available as dvds).
Doors opened – for free… – at 7.00 pm, and the proceedings started soon after, as soon as the sun was down. The Lycavitos Theatre is situated in the middle of a park on the top of a hill with amazing views of the whole Greek capital and nobody to disturb in the neighborood. This means there was no curfew, and the only “limit” was due to the sun rising again in the morning at about 5.30/6.00 am. All in all, then, the audience was treated to just about 10 hours of “performances”.
During those long hours, since I knew a friend was filming, I had no need to tape or record. I was thus free to stand in the front once more. The stage was quite high and I had to hang onto it most of the time to keep my head above it, and at the end of the night I ended up with an actual piece of the stage in my hands!!

As the following videos clearly testify, it was slow going: some songs had to be repeated to catch different angles with different cameras set-ups, while the usual technical hold ups caused real long waits before everything was ready for every shoot. That’s especially true for the second night, when almost nothing seemed to go according to plan: at the very beginning Peter announced a mini-set of 6 songs to be played back to back, which never materialized because of one single spotlight was not behaving correctly! And it took at least a couple of hours to get it fixed… while the planned setlist was changed, and scrapped, again and again.
But that doesn’t mean the audience had a chance of getting bored!! The pauses between filming were filled up by Peter and the band playing a whole bunch of songs as crowd pleasers, accepting requests, trying out numbers that were not in the usual tour setlist, or improvising a few ‘grooves’ for numbers that would then be performed “for real”.

On to some brief technical notes…
The video wa shot on a Sony Video 8 camera by a close friend. He made frequent pauses in filming, as he only had 3 batteries which should have lasted about one hour each, and all in all I believe he did a fantastic job capturing the best of those 2 nights. Then there was humidity, as those Greek nights were a wet nightmare, rather than a dream! This meant a sudden death for the third battery on the first night, which means he could obviously film but a fraction of what was played: I’d say he managed to cover about 4 hours per night, with the other 5 or 6 sadly unrecorded and unaccounted for.
Because of humidity, the Video 8 cassettes also suffered a lot: most of the problems like stuttering, dropouts, tracking issues, etc., were on the original masters (now sadly lost) which were transferred (at the time) to my VHS copies. I digitized those about 8 years ago, and since I started working on this project in 2010 I have been constantly trying to tweak and improve both audio and video. The many works and re-works, tests and experiments have inflated the *PG ATHENS* folder on my Mac to over 800 GigaBytes! But it was time to put it to rest and accept that, as you will see, the overall final quality is still very far from perfect.. Still, for a 30 years old collection of private tapes I reckon it still makes for a more than pleasurable viewing and listening experience.

I hope you’ll enjoy it…






february 13th, 2018

Monday, 9 September 2013

#78 Torino, Stadio Comunale, 8.9.1988




Human Rights Now!
Torino, Stadio Comunale
September 8th 1988

Youssou N'Dour
Tracy Chapman
Claudio Baglioni
Peter Gabriel
Sting
Bruce Springsteen

- - - - -

It was 25 years ago today. Well.... almost...
It was 25 years ago yesterday ;-)

The 5th show in the series - after London, Paris (2 dates) and Budapest - that brought the Amnesty International message and especially the Universal Declaration Of Human Rights all over the world.

Those early dates were musically not yet as adventurous as the tour would prove at later stages (I would give almost everything to go back in time and see the shows in Africa and India!), but the ones I saw were all solid performances by everybody involved.

I do remember the first Wembley show as the weakest. Gabriel played in the early afternoon, immediately after Youssou and before Tracy Chapman. But though the decision was dictated by the will of letting others go ahead and take the better spot, the choice proved to be wrong and a mistake: most people had not yet even arrived at the stadium and his performance was already over! Not being a fan of Sting and knowing that I had a few more dates ahead to see them all, I left after Tracy's set!

The French audience was great as always, but the thing that struck me the most in Bercy that year was how good it all sounded, proving once again that the advantage of the second night in the same venue is a clear plus! This was particularly significant in PG's set during the opening number: the combination of Shankar's violin and Youssou's voice was superb. It's just a pity that Nusrat didn't get aboard on the tour, so as to replicate daily/nightly the sheer magic that was the Cornwall Coliseum night!!

About Torino, then...
It's funny that in typical Italian style we were the only ones to make a huge fuss about the invited "local" artist. The voices against Baglioni were loud and numerous, but in retrospect they were just silly... In most other places the selected musicians was definitely not the "best" the local scene could offer, but nowhere else - at least that I know of - people booed their own representative.
That, more than any artistic whim or inspiration, is the reason behind Peter appearing on stage in the middle of Baglioni's set to support him during the song "Ninna Nanna"...

PG's set was abruptly interrupted in the midst of Shock The Monkey by a power failure which silenced the whole stadium all of a sudden. But things were quickly fixed and after 10/15 minutes, with a second Monkey take, thing got back to normal.

In the past few months a number of different recordings from that day have been lovingly and carefully recovered, repaired and remastered by a bunch of fans to completely recreate that beautiful day. The full package includes 5 audio cds and 1 dvd which you can download FOR FREE from a torrent site near you (you can choose among Dime, Jungleland and the Genesis Movement one)
 :-)

The video above is the grand finale for the show with everybody onstage doing a fine version of Bob Marley's and Peter Tosh's hymn "Get up! Stand Up!", and it has been reconstructed using audience recorded audio, pro shot extracts from a tv program and some amateur video footage. But the dvd includes more, and I'll let you find it out by yourself.

As always, I hope you'll enjoy it!


Full Setlist

• ALL ARTISTS
Get Up! Stand Up!

• YOUSSOU N'DOUR
Nelson Mandela
Immigrés/Bitim Rew
Bamako
The Truth
Kocc Barma

• CLAUDIO BAGLIONI
Strada Facendo
Via
Amori In Corso
Notte Di Note, Note Di Notte
Ninna Nanna Nanna Ninna (with Peter Gabriel)
Uomini Persi
E Adesso La PubblicitĂ 
La Vita E' Adesso

• TRACY CHAPMAN
Across The Lines
For My Lover
Behind The Wall
Fast Car
Freedom Now
Mountains O'Things
Talkin'bout A Revolution
Why?

• PETER GABRIEL
Of These, Hope
Games Without Frontiers
Family Snapshot
Shock The Monkey (stopped for blackout)
Shock The Monkey
No Self Control
Don't Give Up
Sledgehammer
In Your Eyes
Biko


• STING
01 King Of Pain (3LP bootleg)
02 If You Love Somebody, Set Them Free (SM tape)
03 One World (Not Three) (LDB master series)
04 Fragilidad (LDB master series)
05 They Dance Alone (LDB master series)
06 Fortress Around Your Heart (LDB master series)
07 Bring On The Night (LDB master series)
08 When The World Is Running Down (LDB master series)
09 Don't Stand So Close To Me (LDB master series)

• BRUCE SPRINGSTEEN & THE E STREET BAND
Born In The U.S.A.
The Promised Land
Cover me
Working On The Highway
The River (with Sting)
Cadillac Ranch
War
My Hometown
Thunder Road
Beacuse The Night
Glory Days
Born To Run
Raise Your Hand

• ALL ARTISTS
Chimes Of Freedom
Get Up! Stand Up!